(Originally published as SECRETS OF THE SEA HOUSE)
I am enthralled with Scottish Island Fiction, and consequently, I am always trying to scope out a new book to feed my reading obsession. I’ve found one! THE SEA HOUSE is a dual narrative novel; a writing style that appears to be very popular of late. I think of the authors Kate Morton, Lauren Wellig, Erin Hart, Susanna Kearsley, Diane Setterfield, Titiana de Rosnay and Ciji Ware (to name but a few) and their novels that feature the past and present intertwined. In “The Sea House” it is a house on the Isle of Harris that provides the link between the two narratives, and naturally it is a house by the sea.
The modern story begins in 1991, as a young married couple are attempting to renovate a dilapidated old house, with the hope they can run it as a Bed and Breakfast. As they lift the rotting floor boards in “the sea room” they make a gruesome discovery—the skeleton of a human baby with peculiar “fused leg bones”. The police take the remains away but they can offer little information on this infant or why she was buried in such a manner. The wife, Ruth, soon finds that she is beyond curious about the baby and her research uncovers “a Reverend Alexander Ferguson” would have resided in the house during the approximate time-frame of the child’s death.
In 1860, Reverend Alexander Ferguson, is living in the sea house (it is the manse at the time); he tends to his parishioners but he also has a keen interest in Darwin’s work and an educational background in Scientific studies. Conflicting interests?–not for him, he has an answer for that. It is during this time period that the cruel Island clearances are taking place. Lord Marston is a despicable character whose greed and selfishness know no bounds as he ships the Island inhabitants off to other countries in filthy ships where death is a constant reality— all because sheep are a more profitable use of land than people.
This novel is heavily populated with the folklore stories of selkies, mermen and mermaids (and some pretty darn interesting suppositions.)
On a personal note–I found myself caring about the 1860 characters (flaws and all) more than the modern Characters (and their flaws). By the end of the novel I thought I should have had more understanding for Ruth (maybe I did), but I just didn’t warm up to her. But I didn’t dislike her either–I was just sort of ambivalent.
This novel is delightful, insightful, interesting and enjoyable.
A great example of Scottish Island Fiction.